Audio Post Production – ADR, SFX, FOLEY, EDITING, MIXING and MASTERING.

‘All sound formats from: Stereo / 5.1 / 7.1 and upwards, it’s your choice’

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DISTRIBUTORS MAY FORGIVE A BAD PICTURE, BUT THEY WON’T FORGIVE BAD SOUND.

Audio Post Production – ADR, SFX, FOLEY, EDITING, MIXING and MASTERING.

‘All sound formats from: Stereo / 5.1 / 7.1 and upwards, it’s your choice’


read more
G

DISTRIBUTORS MAY FORGIVE A BAD PICTURE, BUT THEY WON’T FORGIVE BAD SOUND.

Grindstone - foley, adr, voice over, sound recording and editing
Grindstone - foley, adr, voice over, sound recording and editing
Kaleidoscope- foley, adr, voice over, sound recording and editing
KSM - foley, adr, voice over, sound recording and editing
DARO - foley, adr, voice over, sound recording and editing
LIONSGATE - foley, adr, voice over, sound recording and editing
VMI - foley, adr, voice over, sound recording and editing
Technicolor - foley, adr, voice over, sound recording and editing

Foley Masters

Audio post production including additional dialogue recording (ADR), SFX, Foley, editing, mixing and mastering.
Pro-Tools is what we use, and we don’t boast a million sound effects.  Every sound is unique, and so we create a lot from scratch, avoiding mashed up layers.  Separation is the key to clarity and punch.  All sound formats from: Stereo / 5.1 / 7.1 and upwards, it’s your choice.

We’ll also sort out the headache of ‘Spotter Scripts’, ‘Time Lines’, ‘Formats’ and arrange Quality Control, all crucial for major distributors who will insist on the likes of ‘Technicolor’ for QC.

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